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In the Met, Jonathan alerts Daphne that an older man is watching her. After a cautious test through galleries, the man approaches; he is Eddie Triplett, Daphne’s former stepfather from her childhood. Hearing Eddie’s voice floods Daphne with emotion, and she breaks down. Jonathan proposes they talk in the museum café.

Over tea and Eddie’s wine, Eddie explains a water shutdown sent him from his Random House office to the Met on a whim. He never remarried or had children and still works as an editor. He recalls Daphne’s brilliance and warmth from years ago, and they trade life updates: Jonathan’s retirement from hospital administration, Leda’s success as a therapist and columnist, and their mother’s settled life with Lucas Ekker.

Eddie offers his number but declines Daphne’s, jokingly preserving the choice. They part amiably; Eddie returns to search for a Rousseau painting. Daphne and Jonathan, their day upended, leave the museum. Jonathan gently escorts her across Central Park toward Leda’s apartment, intuiting she needs support and help navigating.

At Leda’s, Daphne recounts the meeting. The sisters revisit the brief, stabilizing period when Eddie lived with them and then the rapid chain: Leda’s appendicitis, the car accident with Daphne and Eddie, Eddie’s hospitalization, and his disappearance from their lives. Daphne admits she minimized the story for years, even telling Jonathan their mother had been driving. Together, the sisters recognize lingering, illogical guilt over Eddie’s departure and see the accident’s role in reshaping their family.