Cover of The Antidote

The Antidote

by Karen Russell


Genre
Historical Fiction, Fantasy, Fiction, Contemporary
Year
2025
Pages
433
Contents

Section III - Harp Oletsky (5)

Overview

Harp delivers his Founder's Day speech, reframing the Dust Bowl as the consequence of stolen Indigenous land and the 'plow of empire,' and calling on his neighbors to take responsibility and consider restitution. The crowd turns violently against him, destroying Cleo's photographs of the future and blocking the exits. Warned by the cat, Harp ducks just as a bullet narrowly misses his head, leaving the gathering on the brink of deadly chaos.

Summary

As Grange Master, Harp Oletsky addresses the Founder's Day crowd, building on Pare Lorentz's documentary The Plow That Broke the Plains. He acknowledges the film's argument that settlers caused the Dust Bowl by destroying native grasses, but pushes further, arguing the documentary 'starts in the middle of the story.' He links soil erosion to the original theft of Indigenous land, naming the Pawnee, Ponca, Omaha, Otoe, Missouria, Lakota, Dakota, Cheyenne, and Arapaho among those displaced.

Harp connects the violence of American settler-colonialism to the 'plow of empire' that broke his own family in German-occupied Poland. He argues that private property fails because dust crosses property lines, and urges his neighbors to accept responsibility, search their homes for deposit slips, and consider restitution rather than waiting for government action. He asks plainly, 'Does it feel right to live as we do?'

The crowd grows hostile. Grayson reminds everyone Harp's fields were the only ones spared on Black Sunday. A strange humming rises from the audience. Asphodel and her teammates circulate Cleo's photographs of the future, but neighbors—including Wayne Yeager, who served with Harp's dead brother—accuse Harp of treason and Bolshevism. The Edmonson brothers dump Allfrey's prints; townspeople stomp and shred the photographs of restored prairie, buffalo, and clear skies.

Four Grangers block the only exit. Accusations fly that Cleo faked the photos, that Antonina is a fraud, and that Iscoe has fled. Outside, a cloud—or crowd—is forming, and a cannon-like sound is heard. The pregnant cat winds around Harp's legs, and he hears a voice in his mind: Farmer, run. As he bends toward the cat, a bullet strikes the wall where his head had been an instant before.

Who Appears

  • Harp Oletsky
    Grange Master delivering a confrontational speech tying the Dust Bowl to colonial land theft; nearly assassinated.
  • Beth Lamb
    Audience member who initially heckles the documentary's outsider perspective.
  • Orren Bledsoe
    Hostile attendee who dismisses Harp's framing by citing intertribal warfare.
  • Karol Kaminski
    Concerned neighbor urging Harp to retreat from his dangerous argument.
  • Grayson
    Heckler who notes Harp's fields alone survived Black Sunday and calls him a Bolshevik.
  • Wayne Yeager
    Great War veteran who throws a chair and accuses Harp of betraying his dead brother.
  • Asphodel Oletsky
    Harp's niece, distributing Cleo's photographs of the future through the crowd.
  • Cleo Allfrey
    Federal photographer present onstage as her prints are torn down and stomped.
  • Antonina Rossi
    The prairie witch, standing silently beside Harp as the crowd turns violent.
  • Urna
    Sympathetic audience member who laments the loss of the future shown in the photos.
  • The Cat
    Pregnant feline who telepathically warns Harp to run, saving him from a bullet.
  • Sheriff Iscoe
    Absent and fleeing town, glimpsed driving off as the gathering descends into chaos.
  • The Edmonson brothers
    Townsmen who overturn the table and help destroy the displayed photographs.
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