Contents
Chapter 1: The Northerner
Overview
Mamoru meets Kwang Chul-hee, a northern transfer student, highlighting the cultural divide between modern cities and traditional Takayubi; Yukino Dai assigns Mamoru to mentor him. Elsewhere, Misaki navigates motherhood and clan expectations, recalling Setsuko’s bold marriage into the Matsudas and revealing Misaki’s suppressed strength, humor, and unresolved longing within rigid roles.
Summary
Before dawn, Matsuda Mamoru bounds up the perilous steps to Kumono Academy, waiting for his slower friends Itsuki and Yuuta. Near the top, he finds a winded newcomer, Kwang Chul-hee, a northerner in a modern city uniform. Mamoru offers help, introducing Takayubi’s sword-focused culture and revealing his Matsuda pride, while Kwang jokes about video games and technology.
At the school, Kwang’s shock at the monastery-turned-academy and its steep access underscores the culture gap. Yukino Dai, the renowned swordmaster, welcomes Kwang and instructs Mamoru to find him a uniform and guide him through their shared second-year schedule. Kwang changes slowly, marvels at the “samurai” garb, and calls the place weird, pricking Mamoru’s pride as the temple bell summons class.
Shifting to Misaki, Mamoru’s mother, she hosts friends Hyori and Setsuko while tending newborn Izumo and watching over toddler Nagasa. The women praise Misaki’s fortune—four sons—while Misaki privately registers the constraints of belonging to the Matsuda house, where children are heirs to a warrior lineage first and individuals second.
Misaki recalls how Takashi, Takeru’s older brother, pursued Setsuko, a fisherwoman, culminating in a risky, love-driven marriage after the patriarch’s death. Setsuko later became Misaki’s ally through miscarriages and isolation, coaxing back Misaki’s smile and confidence with blunt kindness and shared chores, transforming the cold compound into a home.
Back in the present, Misaki play-duels Hyori’s son Ryota and her own Nagasa, shaping ice into a harmless blade and effortlessly disarming the children while juggling Izumo. When the baby cries, she ends the game to nurse him. The women laugh over stern husbands and uneven teaching styles, and Misaki’s mimicry of Takeru reveals affection and critique. The chapter closes with Misaki content in friendship yet faintly wistful for a self she has had to bury.
Who Appears
- Matsuda MamoruEnergetic teen swordsman; scales the mountain, befriends and mentors transfer student Kwang.
- Kwang Chul-heeNorthern transfer student; struggles with the climb and culture shock, assigned to Mamoru’s class.
- Yukino DaiRenowned swordmaster; welcomes Kwang and tasks Mamoru with guiding him.
- Mizumaki ItsukiMamoru’s friend from the western village; joins the morning climb and introductions.
- Yukino YuutaMamoru’s friend; explains Kumono’s monastery origins and observes Kwang’s adjustment.
- MisakiMamoru’s mother; cares for newborn, reveals past miscarriages and hidden martial prowess.
- SetsukoMisaki’s sister-in-law; lively ex-fishmonger who married Takashi and supports Misaki.
- HyoriYukino Dai’s wife; close friend to Misaki, playful and status-conscious about sons.
- Matsuda TakashiTakeru’s older brother; defied tradition to marry Setsuko after the patriarch’s death.
- Matsuda TakeruMamoru’s stern father; famed swordsman, poor teacher, subject of Misaki’s parody.
- HiroshiMisaki’s serious five-year-old; admitted early to elementary sword class.
- NagasaMisaki’s two-year-old; eager to hold and duel around baby Izumo.
- IzumoNewborn son; small, fussy, soothed by Misaki during the household’s play.
- RyotaHyori’s four-year-old; play-duels Misaki and loses cheerfully.