Cover of Yesteryear

Yesteryear

by Caro Claire Burke


Genre
Fiction, Contemporary, Horror, Suspense
Year
2026
Pages
400
Contents

Chapter 18

Overview

Natalie, frustrated by Caleb’s idleness and porn use, is confronted by Amelia and Doug, who expect her to make him employable. They propose a low-stakes vineyard job and hint at past failures, including a botched business school interview. After a fervent resolve to treat marriage as mission, Natalie rejects the vineyard plan and confidently wagers Doug she’ll get Caleb working.

Summary

Natalie reflects on her mother’s advice that every husband is a “freak,” recalling early calls from the Mills estate as she cataloged Caleb’s immaturity and refusal to work. Weeks later, Caleb has sunk deeper into lethargy and porn, which Natalie discovers on his open laptop, intensifying her alarm.

One late October evening, Amelia and Doug stage a gentle intervention. They admit they had hoped marriage and a baby would mature Caleb and now expect Natalie to help fix him. Doug references a failed business school interview and floats future politics, while Amelia reminisces about a childhood poem and a troubling rabbit incident.

Doug proposes a nearby vineyard management role engineered to occupy Caleb and pad a resume. Though it is far beneath Natalie’s hopes, she outwardly agrees as if boxed in by their expectations and power.

That night, Natalie finds Caleb affectionately absorbed in caring for Clementine and realizes their mismatched ambitions: Caleb wants too little; Natalie wants too much. She reframes their union as a divine mission to shape each other—she will harden his resolve; he will soften her. Buoyed by this conviction, she initiates sex, seeing renewed purpose.

The next day, after sending Caleb out with the stroller, Natalie tells Doug to decline the vineyard job. Claiming her role as the one who will make Caleb a man, she rejects the stopgap plan and pointedly wagers Doug that she will secure real work for Caleb, setting new terms for power within the family.

Who Appears

  • Natalie
    Narrator; discovers Caleb’s porn use, endures in-law intervention, reframes marriage as mission, rejects vineyard job, and bets Doug she’ll mobilize Caleb.
  • Caleb
    Idle husband absorbed in games and porn; tender with Clementine; expresses purposelessness; rekindles intimacy with Natalie.
  • Doug Mills
    Caleb’s father; orchestrates a vineyard job, reveals failed b-school interview, pushes Natalie to enforce work, accepts her wager.
  • Amelia Mills
    Caleb’s mother; drunk, sentimental; supports intervention, recalls Caleb’s poem and a rabbit incident.
  • Clementine
    Infant daughter; focus of Caleb’s attention; catalyst for Natalie’s realization about roles.
  • Natalie’s mother
    Heard in recollection; advises Natalie to normalize her husband’s ‘freakishness.’
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