Cover of Yesteryear

Yesteryear

by Caro Claire Burke


Genre
Fiction, Contemporary, Horror, Suspense
Year
2026
Pages
400
Contents

Chapter 20

Overview

Natalie endures a monotonous routine caring for Clementine while secretly managing Caleb’s job search and placating his powerful parents. Prodded by Amelia, she rejects pills and instead adopts a performative coping strategy inspired by her mother. Amelia misreads the change, offers a prescription, then unexpectedly breaks down, hinting at her own dependence and buried distress.

Summary

At dawn, Natalie tends to Clementine and quietly edits and submits inflated resumes for Caleb, aiming for respectable, easy jobs. She moves through a day of childcare, polite deference to her in-laws, and constant prayer, masking frustration while Caleb remains inert.

The days blur in routine meals and staged family values talk, with Natalie suppressing darker impulses and smiling through dinner-table scripts. One evening, Amelia remarks that Natalie looks unwell and insists she take time to clean up, unsettling Natalie because Amelia never shows concern.

Upstairs, Natalie finds styling tools, lipsticks, and a pill laid out, then calls her mother. Her mother reveals a coping trick: imagining an audience watching and cheering household labor, reframed as spiritual witness. Natalie flushes the pill and chooses performance instead.

In the night, Natalie meticulously grooms herself, wrestles intrusive thoughts, and conjures an imagined audience—Jesus, her mother, and Reena—to steady herself. This new performative discipline makes the days pass faster.

Amelia praises Natalie’s “fresh new look,” assumes pills were responsible, and promises a prescription. Then Amelia suddenly sobs in Natalie’s arms, whispering for help before snapping back into a smiling facade and commanding Natalie to call her “Mama,” exposing Amelia’s fragility beneath her polished dependence.

Who Appears

  • Natalie
    Exhausted new mother; manages Caleb’s resumes, maintains facade, rejects a pill, adopts a performative coping method.
  • Amelia
    Mother-in-law; offers “mother’s little helper,” praises Natalie’s look, arranges prescription, briefly breaks down and pleads for help.
  • Clementine
    Seven-month-old daughter; constant care routine structures Natalie’s days and exhaustion.
  • Caleb
    Snoring, inert husband; relies on Natalie to run his job search and uphold appearances.
  • Natalie’s mother
    Advises coping by imagining an audience as spiritual witness; catalyzes Natalie’s non-pharmaceutical strategy.
  • Father-in-law
    Senator musing about a presidential run; upholds traditional-family-values script at dinners.
  • Maria
    Household staff; leaves Natalie a morning cappuccino amid the rigid family routine.
  • Reena
    Distant friend Natalie imagines as part of her stabilizing audience.
© 2026 StoriLuna