Cover of The Everlasting

The Everlasting

by Alix E. Harrow


Genre
Gay and Lesbian, Fantasy
Year
2025
Pages
181
Contents

Overview

The Everlasting follows Owen Mallory, a traumatized scholar and former soldier whose life has been shaped by the legend of Sir Una Everlasting, Dominion’s most revered knight. When an impossible manuscript about Una arrives in his hands, Owen sees the discovery as a scholarly miracle, a personal calling, and perhaps a chance to understand the myth that once gave his life meaning.

The story moves between academic intrigue, national propaganda, and the brutal reality behind heroic legend. Una, remembered as a saintly champion, emerges as a scarred and complicated warrior bound to Queen Yvanne, haunted by violence, and desperate for rest. Owen’s attempt to translate and preserve her story becomes entangled with Vivian Rolfe, a ruthless political figure who understands that nations are held together not only by armies, but by the stories they choose to believe.

At its heart, the book examines who controls history, what heroism costs, and whether love can free people from roles imposed by empire, monarchy, and myth.

Plot Summary ⚠️ Spoilers

Una Everlasting’s legend begins beneath an ancient yew, where a woodcutter finds a nameless infant beside a buried sword. Raised in the forest, the girl grows into a fierce hunter. When the Brigand Prince’s men murder her father, she draws the sword from the yew, tracks the killers, slaughters them, and frees a captive princess. The princess claims her loyalty and knights her Sir Una. In time Una becomes Queen’s Champion, Red Knight, and saint of Dominion, though an accompanying frame insists that the received legend conceals a truer end.

Nearly a millennium later, Owen Mallory is a damaged veteran and obscure lecturer at Cantford College. Una’s myth has shaped him since childhood: a children’s book consoled him after shame over his father’s supposed cowardice, a wartime poster drove him to enlist, and a fever vision of Una seemed to call him back from death after a battle in the Hinterlands. After the war, he studies the Everlasting Cycle under Professor Gilda Sawbridge, but his career stalls until a mysterious manuscript arrives: The Death of Una Everlasting, a text scholars thought impossible.

Owen hides the manuscript from his rival Jeremy Harrison and begins translating. He sends samples to Sawbridge, but the book vanishes and is replaced by a summons to the capitol. There he meets Vivian Rolfe, Minister of War and later Chancellor, who argues that Dominion needs Una’s story to bind it together. The manuscript is now blank. Vivian stabs Owen’s hand onto the page, and his blood activates the book, sending him into Una’s past.

Owen wakes in the winter wood of Una’s childhood, where he finds the real Una exhausted, volatile, and hiding from her final quest. Queen Yvanne is dying and has commanded Una to find the grail and the last dragon, but Una has retreated to the ruins of her fathers’ home, sick of killing and ashamed of atrocities committed in Yvanne’s service, especially the burning of the Black Bastion. Owen tells her he is from the future and that her legend matters. His knowledge and his wounded devotion persuade her to continue. A dream in Owen’s voice points her toward Cloven Hill.

As they travel north, Owen and Una grow close. He sees how little the saintly legend resembles the woman before him: Una is tender with her horse Hen, savage when threatened, haunted by nightmares, and treated by others as symbol, weapon, or monster rather than fully human. Owen gathers stories and writes heroic versions even as he feels guilt for leading her toward a death he believes history requires. At Cloven Hill, Una kills the ancient, beautiful last dragon and retrieves the grail, but the victory leaves her spiritually hollow.

At Cavallon Keep, events first seem to fulfill the legend. Hinterlander archers ambush Una, but Owen changes history by shooting them. Una brings the grail to the dying queen, who drinks and is restored. Then Ancel of Ulwin, Una’s brother-in-arms, strikes her from the blind side. Una kills him but dies in Owen’s arms, asking him to wait beneath the yew. The restored queen then speaks to Owen in modern language and reveals herself as Vivian Rolfe.

Vivian explains that she cut herself on the enchanted book and traveled into the past, replacing the dying Yvanne. In earlier attempts, competent rule without miracle failed; Dominion collapsed. She concluded that a nation needs a sacred story. Una’s martyrdom, Ancel’s betrayal, the grail, and later prophecies are all tools to create a durable national myth. She forces Owen to write the official version of Una’s death, then uses his blood to reset time.

The cycle repeats in altered forms. Owen returns to his own era, where Vivian commandeers the manuscript, sponsors his translation, turns it into state scripture, and rewards him with fame and knighthood. Sawbridge disappears after finding the grail and crown in Una’s tomb and trying to destroy the grail. Owen discovers a cigarette butt from his own time in the tomb and decodes a hidden message in his published text: wait beneath the yew. His memories return. He learns from his detained father that he is the child of a Roving woman killed by Dominion troops, and that his father was no coward but a deserter who saved him.

Owen confronts Vivian and returns to Una. They choose to flee the legend together, using the book to move through time. For nine years they run under changing names and disguises, refusing crown, church, and story. They eventually settle far before Dominion’s founding, build a cottage near the young yew, and have a son and daughter. Their peace ends when Vivian finds them. Owen burns the book, but Vivian has learned that the yew itself is the source of the time magic. Una kills Vivian’s soldiers but ruins her hands; Vivian shoots her and uses the children to force Owen back into the cycle.

In another reset, Owen says goodbye to Sawbridge and his father, both of whom are trapped by love and coercion, and realizes he cannot simply run. Sent back again, he and Una deliberately rewrite the story. Owen re-knights her to serve her own heart and their children, not queen or country. They seed counter-legends of a green refuge, give Una a white-tree device, show mercy to victims of Dominion, retrieve the grail, and enter Cavallon planning to seize Vivian’s book. Una spares Ancel, and Ancel ultimately defies Vivian by throwing the book to Owen. As hidden crossbows fire, Owen and Una leap farther back than ever before.

They arrive at the world’s beginning and find the red seed that will become the yew. There they meet young Vivian, who reveals the deepest origin of the loop. She was exploited by a king-scholar seeking to conquer time through a heart never born. Drugged, she miscarried a daughter, killed the king, and buried the infant with the dragon-heart seed. The child revived beneath the grown yew as Ulla, later Una. Vivian insists all her centuries of rule and sacrifice are justified. When she tries to force Ulla to die again by threatening Owen, Owen turns his throat into the knife, sacrificing himself to break the coercive pattern.

Una rejects Vivian’s bargains, forces her to admit she would never stop, and kills her. She buries Owen and plants the red seed in his heart, vowing to wait beneath the yew. As the tree grows with uncanny speed, Una becomes the Green Knight, guardian of the hills and of those beyond kings’ claims. Time slips beneath the yew until Owen returns from the tree, changed but alive. Together they live quietly, raise children, shelter deserters and wanderers, and create a different folklore. Owen writes their true account on ordinary paper for Gilda Sawbridge to guide into the future. Legends disagree on details, but agree that after a long, happy life, the Green Knight and the scholar lie down together among the yew’s roots and do not rise.

Characters

  • Owen Mallory
    A war-scarred scholar whose life has been shaped by Una’s legend. He becomes the translator, witness, lover, and eventual co-author of the true story, repeatedly forced through time by Vivian before choosing to resist the myth he helped create.
  • Una Everlasting
    The legendary Red Knight of Dominion, later known by her truer name Ulla and as the Green Knight. Remembered as a saintly champion, she is revealed as a traumatized warrior seeking freedom from queen, country, and the role of martyr.
  • Vivian Rolfe
    A ruthless political architect who becomes identified with Queen Yvanne across time. She manipulates the enchanted book, repeated timelines, Una’s death, and Owen’s scholarship to forge Dominion’s national myth and preserve power.
  • Queen Yvanne of Dominion
    The queen Una serves and loves, whose illness and command for the grail drive the central quest. Her identity becomes entangled with Vivian’s time-traveling impersonation and the monarchy-building legend Vivian constructs.
  • Professor Gilda Sawbridge
    Owen’s sharp, skeptical mentor and an expert on the Everlasting Cycle. Her doubts, discoveries, and later resistance to the regime help Owen recognize the text as propaganda and preserve the truer account.
  • Ancel of Ulwin
    Una’s brother-in-arms, rival, and mentor, celebrated as the Knight of Hearts. Vivian’s versions of history cast him as traitor, but later cycles reveal his manipulation and allow him a decisive act of defiance.
  • Owen’s father
    A dissident and former soldier whose supposed cowardice shapes Owen’s childhood shame. He later reveals he deserted to save Owen as an infant, giving Owen a clearer understanding of love, refusal, and sacrifice.
  • Jeremy Harrison
    Owen’s privileged academic rival at Cantford. His ambition and later dependence on Vivian make him both a professional threat and a tool of the regime’s surveillance.
  • Sylvia Shaw
    An archivist and Gilda Sawbridge’s lover. Her captivity is used to coerce Sawbridge into public compliance with Vivian’s regime.
  • Hen
    Una’s stubborn warhorse and long-standing companion. Hen grounds Una’s humanity on the road and remains present through several key confrontations.
  • The Last Dragon
    The ancient, beautiful creature Una kills at Cloven Hill while retrieving the grail. Its death exposes the grief and violence hidden beneath the triumphant legend.
  • The Brigand Prince
    The raider whose men murder Una’s adoptive father and capture the princess who becomes queen. His defeat marks Una’s first legendary act and begins her knighthood.
  • Fathers Theo and Foy
    Una’s remembered fathers at the forest homestead. Their loss and the ruins of their home frame Una’s despair when Owen first finds her in the past.
  • Owen and Una’s son
    The first child born during Owen and Una’s hidden life beyond the established loop. His existence gives them a future to protect and becomes leverage when Vivian finds them.
  • Owen and Una’s daughter
    The second child of Owen and Una’s fugitive family. Her fierce presence deepens what Una and Owen stand to lose when Vivian invades their refuge.
  • The King-Teacher
    The ancient ruler-scholar who exploits young Vivian in his attempt to conquer time. His demand for a heart never born leads to Ulla’s death, revival through the seed, and the origin of the loop.
  • The woodcutter
    Una’s adoptive father, who finds her beneath the yew and raises her in the forest. His murder by the Brigand Prince’s men drives Una to draw the sword and enter legend.

Themes

Alix E. Harrow’s The Everlasting is, above all, a story about who gets to turn a life into legend—and what violence is hidden inside that transformation. Una begins as a nameless child beneath the yew, then becomes Sir Una, Queen’s Champion, Red Knight, Virgin Saint. Yet the chapters repeatedly strip away those titles: in the hut, on the road, in the bathhouse, and at Cloven Hill, Owen sees not an emblem of Dominion but a traumatized, desiring, exhausted woman.

  • Myth as political machinery. Vivian/Yvanne understands story as a tool of rule. She engineers Una’s death, rewrites Ancel as traitor, stages relics, and turns Owen’s translation into scripture, radio propaganda, and military pocket editions. The “truth” matters less to Dominion than a usable martyr. The book asks readers to distrust national myths that demand blood in exchange for unity.
  • Love versus service. Una’s tragedy is that she has been trained to mistake obedience for purpose. Her devotion to Yvanne, her quest for the grail, and her repeated deaths all serve someone else’s design. Owen’s arc mirrors hers: he first worships Una as a patriotic ideal, then learns to love her as a person. Their most radical act is not heroic victory but choosing one another outside crown, church, gendered expectation, and history’s script.
  • Cycles of trauma and the struggle to break them. The time loops literalize inherited violence. Bodies remember what minds forget: Owen’s hand pain, Una’s reflexive brutality, their recurring pull toward the yew. Vivian’s resets reproduce empire, conquest, and martyrdom until Owen’s self-sacrifice and Una’s refusal to serve finally interrupt the pattern.
  • Refuge as an alternative to empire. Against Dominion’s flags and crusades, the greenwood becomes a counter-myth: a place for deserters, outcasts, children, and wanderers. The final legend of the Green Knight and her scholar replaces conquest with shelter, and heroic death with a long, ordinary, chosen life.

By the end, Harrow has transformed the question “How does a legend end?” into “Who is allowed to live after the legend is over?”

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