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On October 31, 2025, Sergeant Luke Carter interviews Diana Harris at the Saltwater Gallery following Eden Fox’s apparent death. Harris, shaken, describes the exhibition as the gallery’s best event and speaks warmly of Eden’s talent and demeanor.

Harris explains initial contact came via an email from “Eden,” followed by a single pleasant phone call. Convinced by the seascapes’ quality, Harris agreed to take all the paintings despite the off-season.

The exhibition itself, however, was not Harris’s idea. She recounts that Eden’s husband, Harrison Woolf, visited the gallery in person, well-dressed and charming. Harrison asked Harris to host a confidence-boosting exhibition, insisted it appear to be her idea, and said he would pay for drinks and invite the village. He characterized Eden as reclusive and in need of encouragement.

Harris states that Harrison delivered the paintings and all the wine for the event, and that most logistics went through him. She only met Eden in person at the exhibition and otherwise dealt with Harrison.

Carter presses whether Harris is certain she spoke with Eden on the phone; Harris assumes she did but admits nearly all arrangements were with Harrison. She worries the event’s attention might have overwhelmed Eden and offers Carter tea as the interview concludes, underscoring Harrison’s dominant role in Eden’s public presentation.