Crime and Punishment & Other Great Novels of Dostoevsky
by Fyodor Dostoevsky
Contents
Demons — Part I
Overview
The narrator sketches Stepan Trofimovich Verkhovensky’s self-mythologizing career and his dependent, volatile bond with the wealthy Varvara Petrovna Stavrogin. Attempts to revive his significance in Petersburg collapse amid new radical circles. Back home, years of provincial salons coalesce around him, attracting disparate liberals whose quarrels reveal emerging ideological fractures.
Summary
The narrator begins far back, presenting Stepan Trofimovich Verkhovensky as a once-noticed academic who cherished the pose of a persecuted progressive. His actual accomplishments were scant, yet he believed himself watched and important. Early scholarly starts fizzled, a youthful poem later reprinted abroad flattered his vanity, and he settled into provincial life supported by Varvara Petrovna Stavrogin.
Flashbacks trace their bond: Varvara hires him as mentor near her estate; he adopts a dignified, theatrical persona and suffers periodic “patriotic grief.” Their friendship is intense and quarrelsome. Two lasting resentments arise—his staged “hurrah” before a reforming baron, and a moonlit moment when Varvara returns to whisper, “I shall never forgive you for this,” leaving Stepan expecting a reckoning that never comes.
Varvara fashions his public image and hopes for his work, but his projects stall. Seeking relevance, they go to Petersburg: Varvara hosts radical literati; Stepan is welcomed as a symbol yet quickly mocked, especially after declaring Pushkin worth more than boots and being hissed to tears. A collective brazenly demands Varvara fund a cooperative magazine while removing both patrons. Disillusioned, they retreat.
Sent abroad to recover, Stepan writes sentimental letters, briefly basks in “Athenian” talk, then hurries back, realizing he is merely a dependent. Nine quiet years follow: under a friendly governor, Stepan’s salon forms—card play, toasts, and liberal chatter flourish; rumors of nihilism spread though talk remains mostly harmless.
The circle’s core emerges: the stingy wit Liputin; Shatov, a former serf and student turned fierce critic of Westernizers; and the gentle idealist Virginsky, whose household scandals do not shake his “cause.” Strays like the pianist-mimic Lyamshin appear. Stepan postures about peasants and nationalism, panics during a local unrest, and later proclaims that true opinion requires work. A sharp exchange ends the chapter: Shatov denounces the intelligentsia’s contempt for the people and equates losing the people with losing God; Stepan makes peace with him over wine.
Who Appears
- Stepan Trofimovich VerkhovenskyAging former lecturer and self-styled persecuted progressive; dependent on Varvara; fails in Petersburg; hosts a provincial salon.
- Varvara Petrovna StavroginWealthy patroness; fiercely manages Stepan’s image; alternates devotion and resentment; funds, scolds, and protects him.
- Narrator (unnamed)Provincial chronicler introducing Stepan, Varvara, and the town’s intellectual scene with ironic commentary.
- LiputinStingy, witty liberal official; gossip and provocateur; frequent presence at Stepan’s gatherings.
- ShatovFormer serf and student; austere, volatile critic of Westernizers; insists love of people is inseparable from faith.
- VirginskyGentle idealist clerk; family man with radical household; clings to “bright hopes” despite domestic humiliation.
- General Ivan Ivanovitch DrozdovAging general who quarrels at Varvara’s salon, later caricatured with her and Stepan.
- LyamshinJewish post-office clerk; pianist and mimic; entertains the salon with crude imitations.
- Baron from PetersburgReformer whose visit prompts Stepan’s staged ‘hurrah,’ earning Varvara’s lasting resentment.
- AndreevEccentric local shopkeeper and amateur archaeologist; debtor whose delay vexes Stepan.