Cover of Crime and Punishment & Other Great Novels of Dostoevsky

Crime and Punishment & Other Great Novels of Dostoevsky

by Fyodor Dostoevsky


Genre
Classics, Fiction, Philosophy, Psychology
Contents

Chapter IV. The Cripple

Overview

Liza proposes a yearbook and private press, seeking Shatov as co-editor, but he recoils when Pyotr’s and Stavrogin’s names surface. A lewd letter from Captain Lebyadkin deepens suspicions.

The narrator and Shatov find Marya Lebyadkin neglected and abused. Next day, before all society, Varvara Petrovna dramatically aids Marya in church; Liza, desperate, joins her and brings Marya home, escalating tensions and entangling reputations.

Summary

Shatov visits Lizaveta Nikolaevna with the narrator present. Liza outlines a plan to publish an annual book condensing notable, character-revealing events from newspapers, and proposes founding a private press, asking Shatov to co-edit. She insists on impartiality; Shatov argues selection implies tendency but is intrigued.

A crude, half-threatening, half-servile letter from Captain Lebyadkin proposes marriage and hints at damning documents. Liza, alarmed, seeks Shatov’s view. When she mentions Pyotr Verkhovensky’s referral and printing, Shatov abruptly leaves, then returns only to refuse the work.

After the narrator departs, Liza privately begs him to arrange a meeting with Lebyadkin’s lame sister, Marya, by tomorrow. He promises and hurries to Shatov for help.

At Shatov’s lodgings, after a tense encounter with Alexey Nilitch and the gloomy Shigalov, Shatov rails against “paper men,” recounts his and Kirillov’s failed American labor experiment, and reveals Stavrogin once sent him money. Hearing the narrator’s plea, Shatov agrees to try immediately and leads him to the Lebyadkins’.

They find squalor and Marya Timofyevna—painted, dreamy, gentle, and lame—alone. She treats her brother as a ‘footman,’ drifts in mystical talk, and hints at a lost child. Shatov explains her memory lapses and frequent beatings. Captain Lebyadkin soon returns drunk, blusters at Shatov’s door, nearly revealing a secret, then staggers off.

On the decisive Sunday, Varvara Petrovna returns from church unexpectedly with Liza and Marya. Earlier, during a crowded service, Marya knelt to Varvara; Varvara publicly gave her money and wrapped her in her own shawl, pointedly witnessed by the governor’s wife. Liza, in visible distress, insisted on accompanying Varvara and brings Marya back, knitting private desperation to public spectacle and foreshadowing new revelations.

Who Appears

  • Lizaveta (Liza) Nikolaevna Tushina
    Proposes a national yearbook and private press; implores help seeing Marya; publicly brings Marya to Varvara’s.
  • Shatov
    Considered as co-editor; refuses after Pyotr/Stavrogin are mentioned; escorts narrator to Marya; confronts the captain.
  • Narrator (Anton Lavrentyevitch G——v)
    Observes Liza’s plan, promises to arrange meeting, visits Marya with Shatov, witnesses church aftermath.
  • Marya Timofyevna Lebyadkina
    Lame, abused, dreamy; speaks mystically of a lost child; later aided publicly by Varvara.
  • Captain Lebyadkin
    Drunk, abusive brother; sends lewd proposal letter; blusters at Shatov’s door, hinting at a secret.
  • Varvara Petrovna Stavrogina
    Publicly gives alms and her shawl to Marya in church; brings her home with Liza, enhancing prestige.
  • Mavriky Nikolaevitch
    Supports Liza during initial meeting; observes tensions and Shatov’s refusal.
  • Praskovya Ivanovna
    Liza’s ailing mother; fractious, present early; later out driving during church scene.
  • Yulia Mihailovna (governor’s wife)
    Witnesses Varvara’s public charity; trades courteous signals; allows Liza to go with Varvara.
  • Alexey Nilitch
    Atheist visitor disputing with Shatov; leaves abruptly when narrator arrives.
  • Shigalov
    Gloomy theorist; demands an explanation from Shatov, then departs.
© 2026 StoriLuna