Cover of Crime and Punishment & Other Great Novels of Dostoevsky

Crime and Punishment & Other Great Novels of Dostoevsky

by Fyodor Dostoevsky


Genre
Classics, Fiction, Philosophy, Psychology
Contents

The Idiot — Part IV — Chapter VIII

Overview

Warned by ominous visits and Aglaya’s secret message, Myshkin escorts Aglaya to a clandestine meeting with Nastasia at Daria Alexeyevna’s, where Rogojin waits. The confrontation devolves into mutual contempt and jealousy. Aglaya runs out in anguish; Nastasia collapses, then claims Myshkin, while Rogojin withdraws, leaving loyalties shattered.

Summary

Myshkin wakes heavy-hearted after the previous night’s seizure. Visits from Vera, Lebedeff, and a grieving Colia deepen his foreboding; the Epanchins briefly call, kindly yet ominously affirming him as a “friend.” Soon after, Vera relays Aglaya’s urgent message that he must not leave home until evening.

Hippolyte arrives, ill and agitated, and reveals that Aglaya intends to meet Nastasia that night, arranged through Rogojin at Daria Alexeyevna’s. He taunts Myshkin with jealousy, then departs, leaving Myshkin feverish with dread.

At dusk, Aglaya appears and commands Myshkin to escort her. They enter Daria Alexeyevna’s house, where Rogojin admits them and Nastasia, dressed in black, awaits. Aglaya and Nastasia sit facing each other, tension mounting as each probes the other’s motives.

Aglaya delivers a prepared rebuke: she pities Myshkin’s trusting nature, condemns Nastasia’s vanity and interference, and demands by what right Nastasia entangles their feelings. Nastasia, wounded and defensive, counters with scorn; the exchange escalates to accusations about shame, toil, and past humiliations.

Provoked by jealousy and pride, Nastasia challenges Aglaya, threatening to keep Myshkin if she wills. When Myshkin pleads, pointing to Nastasia’s misery, Aglaya, devastated, cries out and rushes away. As Myshkin tries to follow, Nastasia collapses into his arms; revived, she hysterically claims him as hers. Rogojin, silent and intent throughout, then leaves.

The scene ends with Myshkin tenderly soothing the incoherent Nastasia, their roles fixed by pity and desperation, while Aglaya’s flight signals a catastrophic rift.

Who Appears

  • Prince Lev Myshkin
    Anxious and feverish; escorts Aglaya to Nastasia; tries to mediate; comforts fainting Nastasia.
  • Aglaya Epanchin
    Summons Myshkin and confronts Nastasia; denounces her; flees in anguish when Myshkin pities Nastasia.
  • Nastasia Philippovna
    Meets Aglaya; trades accusations; collapses, then clings to Myshkin, claiming him hysterically.
  • Parfyon Rogojin
    Admits them to Daria Alexeyevna’s house; observes the showdown in silence; leaves afterward.
  • Hippolyte Terentyev
    Ill and agitated; reveals and goads about the planned meeting; taunts Myshkin’s passivity.
  • Vera Lebedeff
    Deeply sympathetic to Myshkin; delivers Aglaya’s urgent message not to leave home.
  • Lizabetha Prokofievna Epanchin
    Leads a brief, kind visit to Myshkin, unintentionally underscoring looming estrangement.
  • Colia Ivolgin
    Learns his father’s disgrace; hears Myshkin’s account; vows new responsibility toward his mother.
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