Cover of Crime and Punishment & Other Great Novels of Dostoevsky

Crime and Punishment & Other Great Novels of Dostoevsky

by Fyodor Dostoevsky


Genre
Classics, Fiction, Philosophy, Psychology
Contents

Notes from Underground — Part II A Propos the Wet Snow — Chapter V

Overview

The narrator hurtles through the snow to confront Zverkov, inflaming himself with fantasies of a duel and public scandal. Midway shame intrudes, but he presses on and reaches the brothel, only to find the party gone. The anticlimax dissolves his vengeful script, leaving him self-disgusted and abruptly drawn to a quiet young woman.

Summary

The narrator bolts into the snow, framing his pursuit as at last “contact with real life.” Stung by taking six roubles from Simonov, he vows to compensate by action: to slap Zverkov instantly on arrival, even if it leads to a beating, a duel, or ruin.

During the sledge ride he stokes himself with elaborate scenarios—duel at dawn, securing seconds anywhere, even the director; if refused, a public scene at the posting station; even lifelong punishment culminating in melodramatic forgiveness—all while recognizing the secondhand, literary absurdity of his fantasies.

Shame briefly halts him in the street, but he angrily orders the driver on. Snow soaks him as he steels himself that the slap is inevitable “now.” He bursts into the house Simonov had warned to expect another guest, only to discover the group has already separated.

The absence of his targets instantly collapses his plan, leaving him strangely relieved and disoriented. Pacing, he notices a tall, simply dressed, pale young woman with grave, wondering eyes—overlooked by others here—and is at once drawn by her seriousness.

Seeing his own harried, abject reflection, he embraces appearing repulsive to her, savoring his self-loathing. His vengeful trajectory dissolves into a new, unsettling focus on the young woman amid his humiliation.

Who Appears

  • Unnamed narrator
    Agitated ex-clerk; races to confront Zverkov, spins duel fantasies, wavers in shame, arrives too late, and fixates on a grave young woman.
  • Zverkov
    Absent target of the narrator’s rage; imagined recipient of a slap and a forced duel.
  • Young woman (unnamed)
    Quiet, pale, serious-looking woman at the house; captures the narrator’s sudden, troubled attention.
  • Sledge-driver
    Peasant driver who ferries the narrator through the snow, bewildered by his outbursts.
  • Madam
    Manager of the establishment; greets the narrator and confirms the others are gone.
  • Simonov
    Earlier lent six roubles; had warned the house another guest might arrive.
  • Olympia
    Woman the narrator resents; used in his imagined confrontation with Zverkov.
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