Cover of Crime and Punishment & Other Great Novels of Dostoevsky

Crime and Punishment & Other Great Novels of Dostoevsky

by Fyodor Dostoevsky


Genre
Classics, Fiction, Philosophy, Psychology
Contents

Chapter 7 An Historical Survey

Overview

Ippolit Kirillovitch delivers a sweeping narrative arguing that Dmitri’s jealousy of his father over Grushenka, not insanity, drove the crime. He frames the drunken letter as proof of premeditation, recounts Dmitri’s failed money quest, the Mokroe chase, the brass pestle, and the garden approach, while dismissing Smerdyakov’s involvement.

Summary

Ippolit Kirillovitch rejects the medical claim of madness, conceding only a “fixed idea” about the three thousand roubles but rooting it in jealousy. He recounts how Dmitri’s passion for Grushenka began with intended violence turning to submission, paralleling Fyodor Pavlovitch’s pursuit, and heightening a father–son rivalry inflamed by money.

The prosecutor argues that Dmitri’s frenzy centered on his father using the disputed three thousand to lure Grushenka. He traces how murder first appeared in Dmitri’s tavern talk and violent outbursts, then hardened into intent, culminating in the drunken letter that, he insists, records a sober plan to kill for the notes once Ivan left.

He details Dmitri’s desperate attempts to borrow funds—visits to Samsonov and Lyagavy, hunger, jealousy, and the return to town—followed by escorting Grushenka to Samsonov and then seeking Madame Hohlakov’s counsel to reform in Siberia. A miscommunication by a maid convinces Dmitri that Grushenka is with Fyodor Pavlovitch, triggering his rush to the house.

According to Ippolit Kirillovitch, Dmitri’s seizing of a brass pestle shows prior preparation: any handy object would serve as a weapon. He portrays the dark garden approach, the supposed signals, and dismisses Dmitri’s claim of merely peeping and withdrawing as incompatible with his state of mind.

Finally, he addresses suspicions of Smerdyakov’s complicity, treating them at length only to imply their weakness, reinforcing the thesis that jealousy and premeditation drove Dmitri to parricide for the money.

Who Appears

  • Ippolit Kirillovitch
    Prosecutor; delivers a comprehensive narrative asserting Dmitri’s jealous, premeditated parricide and minimizes Smerdyakov’s role.
  • Dmitri (Mitya) Karamazov
    Accused; depicted as jealous of his father over Grushenka, author of a drunken premeditation letter, and seizer of a brass pestle.
  • Grushenka (Agrafena Alexandrovna)
    Love interest of both father and son; her mixed signals and past fuel Dmitri’s jealousy.
  • Fyodor Pavlovitch Karamazov
    Murder victim; portrayed as cynically using money to entice Grushenka, provoking Dmitri.
  • Smerdyakov
    Suspected by some; the prosecutor discusses and downplays his alleged involvement.
  • Rakitin
    Cited for a critical sketch of Grushenka’s character and motives.
  • Madame Hohlakov
    Advises Dmitri to abandon debauchery and go to Siberia, briefly diverting him.
  • Alyosha Karamazov
    Referenced in recounting family meetings and Dmitri’s earlier outbursts.
  • Samsonov
    Businessman Dmitri appeals to for a loan; part of Dmitri’s failed money quest.
  • Lyagavy
    Figure Dmitri travels to in vain seeking funds.
© 2026 StoriLuna