Cover of Crime and Punishment & Other Great Novels of Dostoevsky

Crime and Punishment & Other Great Novels of Dostoevsky

by Fyodor Dostoevsky


Genre
Classics, Fiction, Philosophy, Psychology
Contents

Part V

Overview

Luzhin reels from Dounia’s rejection, suffers petty setbacks, and fixates on salvaging pride. He probes Lebeziatnikov’s “progressive” views while quietly plotting. Summoning Sonia, Luzhin performs a show of charity and proposes a subscription under her control, ensuring a witness. His agitation signals a scheme tied to Katerina Ivanovna’s funeral dinner.

Summary

Morning after the breakup, Pyotr Petrovitch Luzhin confronts his wounded vanity, frets over lost prospects, and faces petty financial annoyances with contractors and a landlord. Passing Katerina Ivanovna’s elaborate funeral dinner preparations, he learns many lodgers are invited and that Raskolnikov will attend, which sparks a calculating idea.

Back in Lebeziatnikov’s room, Luzhin needles his host and displays cash he has just realized from bonds. Their talk devolves into mocking disputes over Lebeziatnikov’s progressive theories, free unions, and communal privacy. Luzhin’s sarcasm contrasts with Lebeziatnikov’s earnest but muddled zeal.

Seizing on the upcoming dinner, Luzhin calls in Sofya Semyonovna (Sonia), carefully keeps Lebeziatnikov present as a witness, and adopts a dignified, philanthropic pose. He disabuses Sonia of Katerina Ivanovna’s pension hopes, then proposes organizing a subscription to help the family—insisting funds should not pass through Katerina’s hands and asking Sonia to manage them.

Luzhin then hands Sonia a ten-rouble note “personally,” requesting anonymity, and invites her to return at seven to begin the subscription. Sonia, flustered and grateful, leaves in tears. Lebeziatnikov applauds Luzhin’s supposed humanity despite theoretical objections to private charity.

After Sonia’s exit, Luzhin grows visibly excited, rubbing his hands, while only half listening to Lebeziatnikov’s continued lecture on free marriage and “honour.” The scene ends with Luzhin’s agitation hinting at a concealed plan connected to the funeral dinner and Sonia.

Who Appears

  • Pyotr Petrovitch Luzhin
    Jilted by Dounia, he fumes, feigns charity to Sonia with ten roubles, proposes a subscription, and plots something for the funeral dinner.
  • Andrey Semyonovitch Lebeziatnikov
    Earnest progressive lodger; debates social theories with Luzhin, witnesses Luzhin’s “donation,” and praises his supposed humanity.
  • Sofya Semyonovna (Sonia)
    Shy and grateful; summoned by Luzhin, accepts ten roubles and agrees to manage a proposed subscription for Katerina Ivanovna’s family.
  • Katerina Ivanovna
    Offstage widow hosting an extravagant funeral dinner; subject of Luzhin’s proposed charitable scheme.
  • Amalia Ivanovna (Madame Lippevechsel)
    Landlady, busy with funeral dinner preparations, pleased by her role and attire.
  • Rodion Raskolnikov
    Mentioned as present in the building; Luzhin is wary of him overhearing or repeating matters.
© 2026 StoriLuna